Heart of Oak

Brendan (far left) celebrates with his Appalachian Trail family on the summit of Mt. Katahdin, the AT’s northern terminus in Maine. Eight men and women wearing boots, shorts, bandanas, and assorted hiker garb pose around the summit sign post. It’s a clear summer day on Maine’s highest mountain.

On March 7 two years ago, my heart stopped. My son was there to start it again. He saved my life, and significantly, he saved my brain. I know from my father’s experience that cardiac arrest and resuscitation can go the other way. He lived his final year in a coma.

I’ve told both stories in fits and starts. When I can sustain a family narrative with the sweep of War and Peace, maybe I’ll tell the whole story. I’ll try.

To mark the day today, two years later, let me reprise another poem written after I came home from the hospital. And I’ll frame it with several decisions that surround it. All of them involve the Appalachian Trail.

Brendan came back to Yellow Springs after quitting a high-pressure construction management job that took him around the country building nursing homes. He wanted something different, very different. He wanted a wilderness trip months and miles longer than any he had taken before. He imagined hiking a 3,000-mile trail in New Zealand, but the border was closed. Then he set his sights on the AT and began training hikes in Clifton Gorge.

On that morning two years ago Brendan was headed to Harper’s Ferry for a longer AT shakedown hike. After steering me in and out of two hospitals in three days, he needed a break. My situation seemed stable enough. Then it wasn’t.

I called him from my bedroom as he was leaving town. He got to the house just as I started to check out. He took over from there.

Next came an eight-hour gap in what I remember. What I know comes from his knowledge of it, giving me details gradually as my mind could absorb them. A watershed moment came a month later when we were back in my bedroom. He was stretching on the rug after one of his training hikes when he began to tell the story in situ.

“After the cop arrived, we moved you from the bed to the floor so we could work on you better. You were stretched out right here, like this.” Brendan extended his arms as if making a snow angel. “When the squad got here, they shocked you. It was gnarly.”

I’ve spent a long time imagining “gnarly”. I look around the calm bedroom where I do much of my reading and writing and try to unpack the scene. My son is there with a Yellow Springs cop, three paramedics, a defibrillator and LUCAS device – all of them working expeditiously so they could get me down the stairs alive for another trip to the hospital.

A week after Brendan told me this version of the story, he left to hike the Appalachian Trail. Even if I felt a little nervous to be on my own again, I wanted him to do it. All of it. He deserved it. It deserved him.

Heart of Oak

There is a certain symmetry
in an old oak bed, this one
where you were conceived,
where I died and you started
my heart again with carpenter hands
as hard and rough
as freshly ripped planks.

Long after the tree falls
there is a certain tensed promise
held in the heart of an oak
and you, son, fulfill it.

About the Image: Brendan (far left) celebrates with his Appalachian Trail family on the summit of Mt. Katahdin, the AT’s northern terminus in Maine. I stood on the same summit in 1972 when I was 16 years old. I dreamed of hiking the whole trail, but never made it. I’m grateful Brendan did.

 

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Prayer at Big Creek

Sandhill cranes land on Platte River sandbar roosts west of Rowe Sanctuary’s Iain Nicolson Audubon Center southwest of Gibbon, Nebraska. [Photo by Lori Porter| Kearney Hub]

During the pandemic I figured that if I died, I would die alone. I was that isolated most of the time. On March 4 two years ago my worst fear began to happen. I couldn’t regulate my heart rate or breathing. I fell down, then crawled on the couch. I kept a phone in my hand. After a few seconds I decided to call 911.

I’m having a heart attack, I told the dispatcher. She got the details quickly, calmly, then said something that sounded to me as close as I’ll ever get to hearing angels.

“I won’t leave you, Mark. I’ll be right here with you until the paramedics arrive. Don’t leave me.”

I did leave, several times. Each time I came back, I heard her say, “I’m still here, Mark.”

At the threshold of consciousness, as I slipped back and forth between two worlds, I put my mind in the best place I could imagine, a marsh on Lake Erie called Big Creek. I knew I’d find cranes waiting for me.

I cannot say whether I prayed for them, or to them, or with them. The cant of words doesn’t matter. I believe in the still, small voice. I believe what the poet Yehuda Amichai said. Gods come and go. Prayer is eternal.

I wrote “Prayer at Big Creek” a week later when I came home from the hospital. I recite it every day in a quiet moment. I will recite it every day for as many days as are left to me.

Prayer at Big Creek

Sandhill cranes
I hear them coming across
nine million years
I hear them before
I see them

Overhead now, guttural clamor
Soaring, streaming waves of birds
undulating across horizons

They are flying toward God
in the still sedges
at the heart of the marsh

They are flying toward God
and they are taking me with them

—–

Copyright 2021, 2023 by  Mark Willis

About the Image: Sandhill cranes fly across a sunset sky over the Platte River near Gibbon, Nebraska. [Photo by Lori Porter| Source: Kearney Hub]

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The Willis Kids circa 1958

The Willis Kids circa 1958: Diana (age 16), David (age 11), and Mark (age 3). I am the youngest sibling in the photo, on the far right. I look like I am pleased with the snazzy red blazer worn for the occasion.

The Willis Kids circa 1958: Diana, David, and Mark. It’s been a long journey. Happy Birthday, Brother David!

I am the youngest sibling in the photo, on the far right. I look like I am pleased with the snazzy red blazer worn for the occasion.

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Journey in Peace, Wayne Shorter

The jazz saxophonist Wayne Shorter died this morning at age 89. His compositions and virtuosity propelled the evolution of jazz for six decades. He performed with other jazz giants like Art Blakey, Miles Davis, Lee Morgan, Herbie Hancock, and Weather Report. If you aren’t familiar with his jazz — which he defined as another way to say “I dare you” — you probably have heard some of his fiery side licks on songs by Joni Mitchell, Carlos Santana, and Steely Dan.

One of my favorites is ““Ponta de Areia” from his 1974 “Native Dancer” album. It features Wayne on soprano sax and Brazilian singer Milton Nascimento on vocals. I experienced some of the most joyous highs of my salad days ambling down a country road humming the theme from this song. If it creates an earworm for you, it will be a sweet one.

Read his NYT obit for many other names and links to songs. NPR’s Here & Now did an interview with Michelle Mercer, author of Footprints: The Life and Work of Wayne Shorter. David A. Graham posted an insightful tribute in The Atlantic.

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How Environmentally Conscious Investing Became a Target of Conservatives – The New York Times

It’s been a widely accepted trend in financial circles for nearly two decades. But suddenly, Republicans have launched an assault on a philosophy that says that companies should be concerned with not just profits but also how their businesses affect the environment and society.More than $18 trillion is held in investment funds that follow the investing principle known as E.S.G. — shorthand for prioritizing environmental, social and governance factors — a strategy that has been adopted by major corporations around the globe.Now, Republicans around the country say Wall Street has taken a sharp left turn, attacking what they term “woke capitalism” and dragging businesses, their onetime allies, into the culture wars.

… As if to underscore the issue’s sudden visibility, former Vice President Mike Pence let loose on Twitter on Tuesday. “Disappointing that President Biden is putting E.S.G. and woke policies above hard-working Americans’ retirement accounts!” wrote Mr. Pence, a potential 2024 candidate for the White House. “We will keep fighting until we put a stop to E.S.G. once and for all!”

Source: How Environmentally Conscious Investing Became a Target of Conservatives – The New York Times

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Dark Side of a Half-Century

It’s scary how often I say, “Fifty years ago…”. I say it as often as “When I was a kid…” It’s scary when measured on the Geezer Scale. It’s not so scary when you say you are “long in the tooth”. If you still have teeth.

Anyway, “fifty years ago” is a sweet spot for writers of memoir. Vivid memories pour out every day. Yesterday it was Wounded Knee. Today it’s “The Dark Side of the Moon”.

I remember sitting in a strobe-lit dorm room where someone passed a joint and said, “You have to hear this.” I remember time-warped kinesthesia, but I can’t tell you how many times the ritual was reenacted.

So, for Dark Side’s 50th anniversary, here’s the Pink Floyd track I remember best, even though it’s from another album. Another Brick in the Wall. Kids singing in a chorus nail it every time.

Delacroix said, “To be a poet at 20 is to be 20. To be a poet at 40 is to be a poet.” I’m afraid I missed the deadline. I’m just a prisoner of prose trying to figure out the right metaphorical/mathematical ratio between 17 and 67.

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Rants & Kisses for Woke Capitalism

The famous image of actress Raquel welch wearing a provocative fur bikini graced the poster for the 1967 film “One Million Years B.C.” The UK theatrical release poster was created by Tom Chantrell. [Source: Wikipedia]

Last night I had a dream about my Econ 101 class. Let me try to get it straight.

In One Million B.C., Raquel Welch invented civilization and early cave men discovered clubs that could help them steal thy neighbor’s mastodon. That was called Survival of the Fittest.

Fast-forward to the 19th century. Karl Marx explained material conditions of history and alienation of labor. He foresaw capitalism’s eventual collapse as people demanded more money for their hard work. That’s why he was called a Red-Pinko Marxist.

In the 20th century, old-fashioned capitalists like your granddaddy pounded the table for more self-reliance in free markets. They believed that was the Road to Bespoke Wealth. Anything less, like the New Deal and Social Security, was called Red-Pinko Communism.

In the 21st century, grandchildren who inherited bespoke wealth are pounding the table for more government interference in free markets, not less. They want laws that will stop investing in Red-Pinko boondoggles like the Green New Deal and renewable energy. They call that Woke Capitalism.

Instead, they will sell us more of the fossil fuels that have dwindled precipitously since the days of Raquel Welch. This is called Energy Security. It will protect – some say it will squander – the hard-earned money in our retirement accounts.

In the 22nd century, capitalists who survive Woke and Climate Change will own all the shares in SpaceX and the biotech companies that invented human gills. Anyone else who tries to climb into the lifeboat will be clubbed like a baby seal.

About the Image: The famous image of actress Raquel welch wearing a provocative fur bikini graced the poster for the 1967 film “One Million Years B.C.” The UK theatrical release poster was created by Tom Chantrell.

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